She is not just the collection of pieces of glossy paper on the floor, she is also the photographer who has subversively disassembled herself in them. As photographer and subject, she [locates identity] both in the collection of contradictory, incongruous, and discontinuous images, and in the act of reframing and rearranging them to trace a personal and collective history against their grain
— Karina Eileraas, 2003
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